Witchfinder General: Those Who Claim To Be Holy And Righteous Often Aren’t

Written by Luke Barnes

Summary

A sadistic witchfinder general, played by Vincent Price, makes life hell for residents of one British village.

There are things to like about this film, such as the distinctly British folk horror feeling that permeates almost every frame of the film, to the decidedly gothic and sinister sense of horror that makes us question all we know about witch hunters and also highlights the darker aspects to the witch trials in terms of morality.

However, for me personally I found this film quite slow going. The pace was really quite oppressive at times, and no I am not some TikTok child with a few second attention span I have watched many other longer films than this it is just the way this one is paced that is the issue. Things take a long time to get going and when they do they all follow a fairly predictable and entry level plot pattern that leads to a very obvious ending.

Overall, though I appreciate the folk horror elements, I find the slow pace and the predictability make this film hard for me to get on board with.

Pros.

The gothic sense of horror

The distinctly British folk horror elements

It is watchable

Cons.

The pace

The predictability

The ending

If you enjoyed this review, then please head over to my Patreon to support me, I offer personalized shoutouts, the ability for you to pick what I review next and full access to my Patreon exclusive game reviews. Check it out!

https://www.patreon.com/AnotherMillennialReviewer

American Horror Story NYC: The Body

4/5

Written by Luke Barnes

Summary

The killer is finally tracked down.

When I realised that this episode was going to have the main characters find out who the killer is I was somewhat surprised as there is still a ways left to go in terms of the number of episodes still left in this season, however, despite finding out who the killer is this episode they don’t catch him really quite the opposite.

I liked the fact that the world keeps being broadened and new facets like this idea of the mob working within the gay community are being explored. I thought bringing back Henry, played by AHS veteran Denis O‘Hare, was a really smart move as this new angle gave him a lot more to do and he really shined in this episode as did Zachary Quinto’s Sam.

My one issue with the episode and also this mid part of the season more generally is that there seems to be some filler being placed in to pad things out. Like there is no need for this episode to stretch on in the way that it does, it is possible for them to find out who the killer is and have the show down in one episode it doesn’t need to be spread across two, but I suppose that is the curse of cable TV.

Overall, a good episode that really sets up an interesting conflict for the next episode.

Pros.

O’Hare

Quinto

The killer’s identity is finally revealed

The ending and the set up

Cons.

A little bit of padding for time

https://www.patreon.com/AnotherMillennialReviewer

Interview With Writer/Co-Director Adam Leader And Co-Director/DOP Richard Oakes: Feed Me

Written by Luke Barnes

I recently had the chance to interview Writer/ Co-Director Adam Leader and Co-Director/ DOP Richard Oakes about their new horror comedy film Feed Me, which follows a guy in his quest to kill himself by Cannibal. In this interview we discuss processing trauma, finding love whether in others and or yourself and cannibal horror films.I hope you enjoy.

Q: What Was Your Message With This Film?

AD: We wanted to tell a relatable story of grief and trauma through the power of shock, gore and comedy; something we love. We wanted to make a movie that, first and foremost we were fans of so that no matter what, we could be proud when the world saw it.

RO: There are a few messages in this film, Learning to love yourself when you have low self-worth and guilt is one that resonates with me. It’s amazing what a difference to your life a little self-respect and understanding can have.

Q: What Was Your Favourite Moment From The Film?

AD: For me, it’s the final dream sequence in the woods where Jed and Olivia profess their love for each other. Liv is a figment of his imagination; and what Jed always perceived to be the devil on his shoulder fuelling his tumultuous journey, turned out to be his inner voice motivating him to fight for his life; she was his arc. That scene alone is like a massive breath of fresh air for Jed; his arc comes to this bittersweet conclusion that allows him to finally be at peace with himself before it’s too late.

RO: I Think I like the scene when Jed Finally stands up to Lionel and Lionel shows his true colours to Jed. It’s when Lionel unveils his true nasty. From there to the end is really special to me as Lionel’s character falls apart.

Q: How Inspired Were You By The Real Events?

AD: The fact that a man responded to an advert for being eaten alive and went ahead with it was inspiration enough. That in itself is so bizarre that we just had to use it as the premise for FEED ME. It’s ironic how the most unbelievable part of this movie has actually happened in real life.

Q: To What Extent Is This Film A Metaphor For Moving On And Dealing With Loss?

AD: If you lose the comedy, you’re left with an underlying subtext entirely focused on low self-worth & grief and how one overcomes it. The interesting part is how two traumatized people who are similar in so many ways can connect so well, yet go in completely different directions for better or worse, much like real life.

RO: Yes it’s about dealing with the internal demons that plague you through loss and overcoming the self-destructive nature that inevitably follows the loss of a loved one, again letting go of guilt and learning to love yourself again.

Q: What Is Your Favourite Cannibal Film?

AD: Of more recent times, it would have to be the new Dahmer series. That’s the best thing I’ve seen in a long time, let alone this year. Evan Peters is God.

RO: I would have to say Alive, it’s a fascinating film that I watched as a Kid that shows the real triumph of the human spirit against unbelievable odds and circumstances

Q: How Did You Manage The Tone Between The Comedic Elements And The Darker Ones?

AD: By wearing our hearts on our sleeves with the direction and being fully open to giving the actors the floor to experiment. From the get-go, we wanted this movie to be sprinkled with our sense of humour. It’s who we are as people, and to abstain from implementing our own personalities into our art would have resulted in a mediocre movie that lacked integrity.

RO: Like Adam said, the Comedy is very much a part of who we are and we wanted to stay true to that. The balance just came as a natural result of the way we wanted to pace it.

Q: Do You Have Any Funny Stories From Production?

AD: Neal Ward running naked through the set searching for a blood pump sticks out for me.

RO: One scene was so funny that I laughed so hard that a little wee came out.

Q: Future Plans, Sequels, Spin-Offs and Other Projects?

AD: A sequel is doubtful but there’s another project in the works that’ll hopefully see the light of day in 2023. Somebody did float the idea of doing a spin off about the two cops. I think that’d be amazing and I’d love to do a miniseries on those two bozos never solving anything.

RO: We have thrown a few sequel or prequel ideas around, but to be honest we are not really those people. I guess it also depends on demand. If FEED ME ever became cult status and there was a market for a sequel you never know.

Q: Do you Have Any Words Of Wisdom For Filmmakers Who Are Just Starting Out?

AD: Make films for you, not for others and be prepared for an uphill struggle; filmmaking is all about problem solving. Anything worth doing is never easy, but the personal reward dominates any salary in a career you’re not truly passionate about. Money doesn’t buy happiness; being open, honest and true to yourself does.

RO: START! I have lost count of the people who have told me they are working on a film but are waiting for the perfect conditions etc. These people never make a film. Myself & Adam are very much doers and we will break down barriers preventing that from happening rather than using every little hiccup as an excuse not to start.

If you would like to check out Feed Me for yourself keep an eye out for it on all good VOD platforms

If you enjoyed this interview, then please head over to my Patreon to support me, I offer personalized shoutouts, the ability for you to pick what I review next and full access to my Patreon exclusive game reviews. Check it out!

https://www.patreon.com/AnotherMillennialReviewer

Bones And All: Everything Wrong With Modern Cinema, A YA Film That Thinks Its High Art

0/5

Written by Luke Barnes

Summary

A young cannibalistic couple travel the US together.

Please if you will listen to just one piece of advice from a stranger on the internet today let it be this, don’t watch this film. It is just a horrible time at the cinema as it imparts the message that life is just terrible and the only way out is by your own hand as everyone you love will disappoint you and those who don’t will be taken away. There is so much darkness in this film that there is just no need for it to exist, the world is already a dark place.

Moreover, the narrative is very smug and self-indulgent thinking itself to be high art when in actual fact it is more closely resembling angst ridden YA fare, this is certainly reflected in the paper thin central romance that feels like it was written by an emo on Tumblr. Worse yet the narrative is self-defeating as the central idea of the film is Maren, played by Taylor Russell, needs to find her place in the world, yet when she finally does at the end of the film it is then taken away and she has to do it all over again showing that there was no point to the whole film.

The film also greatly fetishizes the cannibalism and has it be akin to sex at times, which feels uncomfortable from the off and never really goes away. Speaking of the film has a sex scene between Timothee Chalamet’s Lee and another man and never really addresses it or speaks about it or allows Russell’s Maren to respond to it, it is a very odd inclusion which makes the central romance narrative seem off.

Finally, if this film is seen to be an indicator for upcoming acting talent then I might just hang up my reviewing now and bid farewell to cinema for good as both of the central performances are just awful. Taylor cannot emote for one single second and other than looking shocked once or twice has the same glazed over expression for the whole film and Chalamet plays a cliched wrapped up in an emo phase. When will the internet learn that Chalamet will never be a movie star like those of old because deep down everyone knows he can’t act and that once his legion of lust fans dry up so will his acting roles.

Overall, possibly the worst film of the year.

Pros.

None

Cons.

The film is manically depressing and an unpleasant watch from the outset

It has awful paced and is on for far longer than it needs to be

It is smug and seems to think of itself as high art when in actually it is a bad YA film

The acting is awful all round

It fetishizes cannibalism

https://www.patreon.com/AnotherMillennialReviewer

The Menu: A Memorable Dining Experience

4.5/5

Written by Luke Barnes

Summary

An exclusive dining experience goes badly wrong.

I thought this film was genuinely great on a number of levels. Most notably for me was the biting social commentary which had me both appalled at what Ralph Fiennes’ evil chef character was saying but also in some senses agreeing with him. I liked that this film had a very clear socio-economic/political message to it and wasn’t afraid to tackle it openly, moreover, rather than force its message down your throat to the point of choking you it approached it with a surprising amount of nuance which I really appreciated.

Additionally, this film is aided by being incredibly funny. This film had me laughing out loud quite often, its sense of humour is often jet black but it really worked for me. Whether it was the name cards for various different dishes or the way Nicholas Hoult’s Taylor was so mercilessly taken down the film was a laugh riot.

I think the film did its best to see to its supporting cast and give everyone a moment to shine, bar Arturo Castro who is terribly wasted, but really this film is about the interplay between Anya Taylor-Joy’s Margo and Fiennes Slowik and there is where the film really comes alive. Both actors are on top form, it goes without saying, but Taylor-Joy really shines and her scream queen credentials get yet another notch.

My only slight issue with the film was that the ending was rather predictable, not just that but also overly familiar. That is not to say that the ending didn’t work for the film, but rather than it was incredibly obvious where it was heading. I would have preferred something either more subversive or more shocking.

Overall, one of the best films of the year for sure.

Pros.

Fiennes

Taylor-Joy

Hoult

The humour

The social commentary

Cons.

The ending was a little weak

https://www.patreon.com/AnotherMillennialReviewer

American Horror Story NYC: Bad Fortune

4/5

Written by Luke Barnes

Summary

The killers gameplan is finally revealed and things take a turn for the supernatural.

I thought this was a very strong episode, I enjoyed the fortune telling scenes even if they were a bit silly and over the top. Moreover, I welcomed this season of the show more openly embracing the supernatural as for the most part this season has been relatively human focused.

I thought the Big Daddy fight scenes were well done, you never quite knew whether Patrick, played by Russell Tovey, was going to escape or whether he was going to die, they were tense scenes. Moreover, the death of Leslie Grossman’s character felt like it brought with it a new found sense of stakes for the season and her character really does drive the mystery forward.

Overall, another strong episode of this season with a very welcomed move towards the supernatural, I hope some of these mysteries will soon start to get tied up.

Pros.

Grossman

The ending

The veer towards the supernatural

The continued build of the mystery

Cons.

A little slow at times

https://www.patreon.com/AnotherMillennialReviewer

American Horror Story NYC: Blackout

4/5

Written by Luke Barnes

Summary

The mystery furthers.

I enjoyed that this episode continued to explore the killer and what he is trying to do, I think that if the show is to truly nail its landing this season then he will have to have one hell of an endgame to live up to all the hype the show has installed in him as the main villain.

However, but also good, the thing I am more interested in about this season that I think it is doing incredibly well is talking about the ever looming threat of AIDS, with the epidemic growing threateningly close over the horizon. I am curious to see how the show will address it, whether it will fully sink into conspiracy theory area or have it and the indifference many showed towards the victims be the real horror of the season, or maybe a bit of both.

Big Daddy continues to be a compelling supernatural villain who hopefully we won’t learn much more about so that some of the seasons mysteries can be left to the imagination.

Overall, another strong episode.

Pros.

The mystery

Teasing the past of the characters we think we know

The looming catastrophe on the horizon

Big Daddy continues to be a memorable villain

Cons.

It continues to be far too heavily eroticised

https://www.patreon.com/AnotherMillennialReviewer

Interview With Narrator/Director George Popov: Sideworld Damnation Village

Written by Luke Barnes

I recently had the chance to interview narrator/director George Popov about their new horror film Sideworld: Damnation Village, which presents viewers with a look into one of the most cursed areas of the UK. In this interview we discuss history, shadows of the past and the means and measures of storytelling. I hope you enjoy.

Q: Why focus on villages other areas with creepy pasts?

GP: In our research these three villages got mentioned often as the most haunted in the country. Pluckley and Prestbury especially quite famously compete for that title. Eyam was very intriguing with it’s history of the plague providing and a backstory and a possible explanation for the paranormal activity there.

Q: What Inspired This Sequel?

GP: Exploring Haunted Villages has been on our list of Sideworld topics almost from the beginning. The decision for it to be the third one in the series seemed very easy to me. The atmosphere and colours I was imagining for the documentary were complementing our first two features very well and it felt like a very natural completion of the first trilogy. Going from natural settings like Forests and Sea to something man-made and community driven, it established a needed new angle to Sideworld while still in rhyme with the previous films.

Q: What Was Your Message With This Sequel?

GP: We deal a lot with the impact of the legacy of events and the weight of history. In a great way that continues the topics about repetition and lingering that we have started in the previous film. However now we delve deeper in those themes, both in terms of folk horror and in science and history.

Q: Do You Think Buried Underneath The Surface Of Every Village There Is A Ghost Story?

GP: Wherever there are humans, there will be stories. it’s inevitable. The more closed local community of a village preserves those stories very well. I think, however that there are some locations where ghost stories and encounters are more prevalent, and that may be due to a lot of other external factors. That notion is a big part of our exploration in the documentary.

Q: Do You Have Any Funny Stories From The Production?

GP: Quite a few, yes. It was a very adventurous production as always. I can be here all day retelling even just one of them, but let’s say a lot of them involved nature doing extraordinary things for us to get some great footage. We also crossed paths with some really cool characters in the villages and twice we literally stumbled into an amazing hidden location.

Q: What Locations Will You Try And Tackle Next If There Is A Fourth Sideworld Film?

GP: More Sideworld is coming and we have a long list of potential topics and locations that we’re very excited to explore. It has been a crazy first year for Sideworld and making three feature films in that time was a new and amazing experience. Now I’m enjoying this stage of being able to stop for a second and look at what we’ve done and make sure those films can reach as many people as possible. But I’m even more excited for us to look at the next stage and implement our many ideas for the future of the franchise.

Q: Any Word Of Wisdom For Aspiring Filmmakers Gleamed From Your Time Working On This Film?

GP: You can allow yourself to be confident in your abilities once in a while. Sometimes. Maybe.

If you would like to check out Sideworld: Damnation Village it is available to rent or buy over on Amazon Prime Video.

https://www.patreon.com/AnotherMillennialReviewer

Sideworld: Damnation Village

3/5

Written by Luke Barnes

Summary

A horrifying look under the skin of a number of British village.

With the previous two entries into the Sideworld series I was a big fan I enjoyed their creepy blend of folklore and wider mythology and how they feel so specific to different aspects of the British experience. As such I was expecting big things when I saw this film, and I have to say I was a little disappointed. Now I am not saying this film was bad, far from it, but I am saying it felt a little stunted when compared to the two previous films. I don’t know whether it is because this film decided to focus more on a modern and man made area but it just felt limited and frankly a little stretched thin.

That aside all the technical aspects of this film were on point and the film for the most part generated a creepy atmosphere that sucked you in and didn’t let go, leaving you chilled to the bone. I thought the horror elements were perhaps at the strongest here with regard to the whole series. Certainly I was left unsettled.

Overall, Still a fun scary experience but a bit more threadbare than I was expecting it to be.

Pros.

The scares

The atmosphere

It is interesting, but it doesn’t go far or deep enough

Cons.

It is too short

It should have gone into greater depth and really explored the area

https://www.patreon.com/AnotherMillennialReviewer

Raw: A Different Side To University Hazing

4.5/5

Written by Luke Barnes

Summary

A young vegetarian medical student, played by Garance Marillier, develops a taste for human flesh after eating part of a rabbit during the hazing process at her university.

I think in so many ways this film is a triumph, I enjoy that it is not fully a horror film as even until the end there are also dark comedy aspects to the film that made me laugh. However, when viewing this film as a horror film it certainly falls within body horror more than any other genre, though an argument could be made for psychological horror as well I suppose. I think when considering this film as a body horror film it feels like a modern update to the early work of David Cronenberg, with a slight tinge of Eastern influence as well. I think if gore is not your thing then definitely give this one a miss, although I would say the gore never crosses the line into gross out territory.

Additionally, I thought that Marillier was a breath of fresh air in this film, feeling both deeply relatable in terms of her university experience, bar the cannibalism, but also somehow ethereal and myth like. I think you would be hard pressed to not like any of the characters here as they are all fairly easy to warm to.

Overall, a fabulous film.

Pros.

Marillier

The body horror

The relatability, feeling both real and fantastical at the same time

The ending

The dark comedy

Cons.

Some slight pacing issues

https://www.patreon.com/AnotherMillennialReviewer