Fool’s Paradise: Mocking The Disabled And Using Sexual Assault As A Punchline

Summary

Charlie Day plays a modern day version of a Charlie Chaplin character

There was a lot wrong with this film. In many ways it felt like the sort of film that Adam Sandler would put out say a decade ago, crude, stupid and very mean spirited. There is perhaps an assumption on Day’s part that because he is playing the character that is the butt of the joke and he is the one that put the film together then it makes it okay and less mean spirited, but I disagree.

The plot wants you to be entertained by, and find funny, the mistakes and misunderstandings of someone who clearly has learning difficulties, the film even clearly states that this man has the mind of a child. So right off the bat this film feels like it is mocking the disabled, but it gets worse, there are a number of scenes where this character is sexually assaulted and it is played for laughs. At no point across the film does this character show any knowledge of what sex is let alone a form of consent, yet these female characters force him into performing and that is supposed to be funny. It is seriously messed up and damaging.

It is a shame the film ends up in such a puerile place as it does have some good celebrity cameos, said cameos often steal the show and are funnier than anything else happening on screen. In terms of pacing a lot of these cameos are clustered together rather than being peppered in throughout the film which leads to them going a bit underappreciated as you don’t really have time to notice them all.

Overall, a horrible film that belongs in the bin of history.

1.5/5

Pros.

The cameos

A few funny jokes

Cons.

It makes fun of someone who clearly has disabilities

It features frequent sexual assaults and frame them as funny jokes

It is toxic

The cameos are not spread out well within the film

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The Book Club The Next Chapter: The Sequel No One Needed

Written by Luke Barnes

Summary

A group of old friends head to Italy for a bachelorette party.

I was in two minds about watching this film at all, the first was fairly abysmal and was nothing other than a cynical ploy to cash in on the Fifty Shades fad that was popular when the film was greenlit. However, I must say that this film faired better than the first and was watchable and even charming at times, now there were some pretty big issues with the film don’t get me wrong but it was at least more passable than the first film.

In a sense I applaud this film for trying to be a sex comedy film at times with older women. Within the landscape and our broader culture old women are far too often seen as sexless and grandmotherly ceasing to have needs of their own, so it was nice that this film tried to address that. Although it must be said that it does so with the grace of a wrecking ball, and rather than have a mature conversation about the sexuality of older women the film instead just crams as many groan inducing, in a bad way, sex jokes as it can into its runtime. It just feels a little juvenile, though it must be said it is handled with more class than something that Al Pacino or Robert De Niro would do wherein they would be doing gross physical comedy as well.

Something that hit me early on with the film and that opened things on a sour note was how much this film is a covid film. By that I mean that this film within the first few minutes must have mentioned covid at least twenty times, and again I feel like this is done as when the film was being made the pandemic was a big news item, however, now upon release it just serves to date the film.

Both of those issues exist alongside the various technical issues that plague this film such as convenient writing, a generic plot, pacing issues and over sentimentality, but you would expect those sort of issues with a film of this nature so I won’t spend time addressing each in turn, just trust me they are there.

Overall, hopefully this is a closed book now.

2/5

Pros

It is watchable

It opens a much needed conversation on the taboo of older female sexuality within media

Cons

It turns an important conversation into a series of sex jokes that are never funny

It is generic, dull and at times the pacing is trying

The reminder of the pandemic

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iCarly: iBuckled

Written by Luke Barnes

Summary

Carly, played by Miranda Cosgrove, finally comes to terms with her feelings for Freddie, played by Nathan Kress.

Yes folks they are finally doing it, after constant hints since the revival the show looks set to soon make Carly and Freddie a couple, or will it? I think this can go one of two ways either they get them together soon and have the awkward nature of their romance play out this season, which is what I want, or they drag it out throughout the whole season, which I think after all the hints in the second season would just be irritating.

This episode on the whole was a fairly mixed bag, I liked a lot of the Carly/ Freddie stuff and the jokes therein, I thought there was a number of laugh out loud moments towards the end of the episode, but I also thought there were a number of really awkward and cringe moments in the episode as well. The whole reality show sequence is bad and it makes no sense that Pearl, played by Mia Serafino, would just sit there as everyone is talking about how Freddie and Carly should get together.

The subplot about Freddie’s mm getting engaged was fine, but honestly when thinking about the episode I barely remember the subplot at all that’s how forgettable it was.

Overall, it is nice to see Carly and Freddie finally seem as though they are getting together.

3.5/5

Pros.

Carly and Freddie

A number of good jokes

Josh Peck shines

The ending

Cons.

The teasing and the will they wont they stuff

Some cringe moments

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Ted Lasso: Season 3 Overview

Written by Luke Barnes

Summary

The friendly American football coach, played by Jason Sudeikis, goes home.

The final season of a much beloved show like Ted Lasso was always going to be sad and this was sad but it was also disappointing. As the credits rolled on the final episode of the third season I released that in a sense the show had peaked with the second season and maybe should have ended there.

Though I enjoyed most of the character work this season did, and the endings that most of the characters got, I also thought that at times it was overly indulgent. By that I mean it would go to a place of being overly sentimental, it would spend vast sections of episodes dedicated to the fate of a very minor character in the scheme of things and yes whilst it may have been well done it felt like filler as the actual story of the season was relatively short.

Moreover, the decision to make Ted sad, which really was a second season development, came back to hurt the show as it could no longer really pull off the quaint small town charm and positivity that had worked in the first season so well. Giving the character depth and complexity was a good thing and I am not saying he should have stayed a one note caricature but I think they took Ted’s sadness too far, so much so that it gives the third season a real sense of heaviness that sits within until its closing moments.

Overall, the third season was still good don’t get me wrong, but it was a noticeable step back from the other seasons and clearly evidenced at times the need for the show to end as it was becoming long in the tooth.

3/5

Pros.

It does some good character work

It has a number of sweet moments

It has some of the same charm as the earlier seasons/

Cons.

It is overly sentimental at times to the point of feeling indulgent

There is a lot of what can only be described as filler

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Love Again: Reading The Texts Of A Deadman

Written by Luke Barnes

Summary

A music journalist, played by Sam Heughan, finds himself in possession of a phone that is receiving texts from an unknown number, little does he know that he will end up falling in love with the mystery sender, played by Priyanka Chopra.

This film was strange, in many senses this misjudged a lot of things. Most noticeably was the tone, there are things in this film that are big deals like the male lead using the texts send to him unknowingly by the female lead, who thinks she is sending them to her dead ex, to track her down and pursue her, but rather than treat this as the red flag it is it is instead set up as a quirky meet-cute.

Moreover, Sam Heughan was entirely miscast with the film wanting more of a bumbling Hugh Grant sort but instead has a brooding and quite intense lead that doesn’t meet any of the boyish playfulness his role is clearly written to have. Additionally, the romantic chemistry between Chopra and Heughan is fairly non-existent.

Don’t even get me started on how much this film goes out of its way to plug Celine Deon, who no doubt Sony owns the rights to her music catalogue, it was off putting and made me feel like I was watching an advert rather than a film.

The film is passably watchable in a pinch and I did think the sequence in which Chopra’s real life husband Nick Jonas showed up was quite funny. Jonas shone in his little cameo role and it really was a shame he didn’t get more time or a bigger part as his character was far more interesting that Heughan’s.

Overall, Jonas is good for a laugh and it is passable if fairly generic and forgettable.

2/5

Pros.

It was passable

Jonas was funny in his brief cameo

Cons.

The leads have no chemistry

Heughan was miscast

It is generic

The tone is off

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Robots: Jack Whitehall The Rom-Com Leading Man

Written by Luke Barnes

Summary

In a near future wherein people can have robotic doubles a pair of low lives use their doubles for depraved means only to have them then run off together and the low lives have to go and chase them down.

Whilst perhaps not the most original, I found there to be a lot of charm to this film. As it progressed I found myself caring more and more about the characters and the world itself.

The romantic pairing of Jack Whitehall and Shailene Woodley works surprisingly well and the two have great chemistry and by the end do feel like a believable couple. I never really viewed Whitehall as a rom-com leading man before but I have to say this film sold me on it.

I thought the comedy here was fairly hit or miss, there were a few jokes that hit hard and landed but also a lot of others that missed the mark. However the gaps in humour were more than made up for with the heart of the film which is big and quite effecting. By the end of the film I fully cared about the robots and wanted them to have a happy ending.

Overall, a sweet rom-com and a promising new career path for Whitehall.

4/5

Pros.

It is sweet

It is funny

Woodley and Whitehall have good chemistry

You care about the characters

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Are You There God It’s Me, Margaret: Finding Out Which Faith Is Right For You

Written by Luke Barnes

Summary

An adaption of the Judy Blume book of the same name which tells the story of a young girl, played by Abby Ryder Fortson, coming of age and finding her place in the world.

I will preface this review by saying that I haven’t read the book this film was based on and am not very familiar with the works of Judy Blume.

I was excited to watch this film as the trailer gave off a very quirky sensibility, it reminded me of the works of Greta Gerwig and Wes Anderson. However, upon watching it I found it to be a much more straight forward coming of age tale then I was expecting. That is not necessarily a complaint as it was still enjoyable, and strong performances from most of the adult cast, especially Rachel McAdams, did a lot to elevate it.

I also thought the film’s focus on religion was interesting and nicely separated it out from a lot of other coming of age films that are obsessed with budding romances, dances and raging hormones. I liked that the film didn’t shy away from showing how much of a destructive force religion can be in some cases and that it tried to have more of a serious conversation on the topic. Sadly though, I will say that the conversation this film wants to have would have been made much better if it had gone just a little further, as what it is saying now is fairly surface level.

Overall, an interesting coming of age film that is boosted by its performances and decision to focus on religion over teenage angst.

3/5

Pros.

The focus on religion

McAdams, Bates and Safdie

It is fun

Cons.

It is a little surface level at times and an exploration of greater depth could have really been interesting

It has pacing issues in the form of second act lulls

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She Is Love: An Art House Rom-Com In All The Worst Ways

Written by Luke Barnes

Summary

A woman, played by Haley Bennett, traveling for business ends up staying at her ex-husband’s hotel.

So I will give this film props for trying to do something new with the standard rom-com formula, it does try and subvert some of the obvious cliches and that is to be applauded. However, instead of presenting tired and worn cliches the film instead encompasses a bunch of pretentious art house tosh that makes little to no sense and will leave you scratching your head.

The relationship held between the romantic leads, played by Bennett and Sam Riley, is deeply toxic, though I suppose that is sort of the point of the film. Yet you never really get to understand the ins and outs of it all as the conversations and wider narrative of the film seems to want to jump between things rapidly. The effect of this jumping around is disorientating and off putting.

Overall, though it tries to do something new this film falls headfirst into the well of pretentious art house nonsense.

1.5/5

Pros.

It is short

Bennett is trying.

Cons.

It makes little narrative sense

It is pretentious

The leads have no chemistry at all

It manages to have pacing issues despite being fairly short

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Paint: Wes Anderson Without The Charm Or The Heart

Written by Luke Barnes

Summary

A quasi parody of Bob Ross, mixed with an original story, creating a mess.

I am a big fan of Owen Wilson and so his presence drew me to this film. Upon watching it I can say that Wilson himself was good, but that he was probably the only good thing about the film ultimately.

The parody elements didn’t work, and the humour of the film felt incredibly flat. At times I didn’t know whether the film wanted me to view it as a comedy or as more of a drama as they try and put in character work, which suggests it views itself as more of a character piece, but ultimately this doesn’t help to make the film funnier or the characters more likable.

Building upon that the message of the film is all over the place, on the one hand we are told to like Wilson’s character and root for him in this journey to find new meaning in his life, but on the other he is shown to be a massive creep and all round pretty crummy, so which is it? I understand the film is shooting for the more nuanced answer of the character being bad but then turning it around, however, it just feels confused and not fully thought out.

Overall, barely even passable, if you miss this one don’t sweat it.

2/5

Pros.

Wilson

It is short

Cons.

The character work is confusing

It isn’t funny

It takes itself a bit too seriously at times

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Mafia Mamma: The Suburbs Take Italy

Written by Luke Barnes

Summary

After being cheated on Kristin, played by Toni Collette, travels to Italy for her grandfather’s funeral. However, little does she know that once their she will become the head of a prominent crime family.

In many sense this is a lame wine mum esque comedy, but in truth these days that is really becoming my bag. I enjoy the sort of films where female characters get to have The Hangover style shenanigans and even more so when it is mature women doing it. This is because as many have noted once women reach a certain age in Hollywood it seems all they are good for is playing mothers to younger teen characters or even in some cases grandmother, regardless their days as the protagonist having fun adventures is over. That is why films like this are so needed.

Yes I feel like I have seen it before but at the same time there is something very comforting about a film like this. Collette plays the role to perfection and your really go on this journey with her when she comes into her power both in a sexual sense but also in terms of self-worth. At the same time we get a lot of good nods and outright parodies of The Godfather movies across the film and a lot of the gangster stuff is quite funny due to the drastic culture clash

Overall, it is a lovely feel good film boosted by a strong performance from Collette

4/5

Pros.

It is feel good

It is comforting and easy

It is quite funny and has a number of good references

Collette

Cons.

It feels a little familiar

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