Summary
A man’s, played by Guy Pearce, quest for vengeance is disturbed by his amnesia and inability to form new memories.
Ah this takes me back to a beautiful time before Christopher Nolan thought he was the saviour of cinema and before his ego eclipsed the sun causing us all to live in darkness. Despite what some of my long time readers might think, I did used to enjoy Nolan’s films I think Interstellar is a brilliant film on a lot of levels, but the way he behaved in the pandemic with Tenet really did sour me on him. Anyway, my personal ramblings aside this is a great film, not quite Interstellar good, but certainly in the top half of Nolan’s filmography.
I particularly enjoyed how this film plays with its narrative and tries to do something new with it, for the time this film released in this was really quite revolutionary. Moreover, the mystery that it all leads to is very satisfying and well-constructed, I found myself having my expectations played with and challenged at multiple different turns.
My issue with this film as with a lot of Nolan’s work is the mixture of extreme pacing issues and a sense of smugness that pervades the work and taints it. Much like James Cameron Nolan seems to struggle to keep his films succinct and instead has them outstay their welcome, and that is not to say the ending of this film is bad, rather than there are a number of slow moments towards the end of the first act and throughout the second, it is in these moments the film lost me slightly.
Overall, definitely a good film, but one that comes to symbolise a lot of later issues with Nolan as a filmmaker.
4/5
Pros.
It does something different
A compelling mystery
It subverts your expectations in a way that doesn’t feel insulting
Guy Pearce is a good lead
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Another Millennial Reviewer 