Where Have All The Good Guys Gone: The MCU Slips Into Apathy, A Retrospective

I haven’t seen the film and this isn’t a review, this is an assessment piece on the current state of the Marvel Cinematic Universe from the perspective of audience engagement. The comments passed in this piece regarding Captain America Brave New World, are based on several key factors firstly the Cinema Score, a low b, which was lower than that of The Marvel’s and also Antman Quantomania, the critical Rotten Tomatoes score currently at 52% at the time of writing, on the broader fan consensus online which suggests that the film is middling not great not terrible. I would also like to address that on Rotten Tomatoes the film has an 82% audience score, though this could be inflated.

All of these things taken together paint a picture of the sorry state of the MCU, especially when you compare this release to the last few, sans Deadpool and Wolverine as it was disconnected and more of a love letter to the Fox X-Men films. The remaining films on the slate for this year also do little to reassure people that things are going to get better in the near term.

So the question is what went wrong and where do things go from here?

I would say the reasons why this film is struggling and why other Marvel films are struggling are numerous but also quite obvious. Firstly, folks don’t like homework, since the advent of Disney + not only has there been more content, perhaps too much, but also new requirements. To understand Brave New World fully folks would need to have watched The Incredible Hulk from almost twenty years ago, Falcon and the Winter Soldier and also The Eternals. That is 5+ hours of commitment just to watch the latest film in the universe and increasingly folks are getting sick of having to make it.

What can be done to fix this? At the current stage nothing, the projects that are already in development will suffer from it. However, for further down the line stuff there can be an importance placed on telling original and disconnected stories, there can also be an effort to cleverly use exposition within the films to bring folks up to speed on what they need to know from these other series, this would hurt Marvel’s numbers on rewatches but would encourage the casuals to return. They could also do a previously on at the start of each project including films, unorthodox but potentially a solution.

Secondly is the problem that these characters just are not a draw. Marvel got high on their own supply and started to believe the mythology surrounding them, thinking that they could turn anyone into a billion dollar grosser, and for a while when everything was seen as required viewing in order to get the Infinity Saga’s broader narrative it worked, however, in the disconnected and seemingly aimless Multiverse Saga this has been proven untrue. The issue here is twofold firstly the Multiverse Saga is objectively a failure, fans are not connecting, due to the glut of content things feel deluded and far to disconnected. Moreover there does not seem to be a clear direction in which it is going, yes to comics fans it is clear we are getting Battleworld the Beyonder and likely God Emperor Doom, however, for casuals it just seems to be without purpose at the moment. Secondly, it is clear that the MCU has tentpole characters that folks need to see often in order to stay invested, this can be Spider-Man, it could be Doctor Strange, it could be Wanda, it could be the founding Avengers, regardless, due to the massive uptick in production we are getting less and less projects with these tentpole characters and more and more ancillary stuff with characters people just don’t care about and that is leading to apathy. The idea that Marvel film are not events anymore sums this up rather well.

What can be done about it?

Well I have said it before and I’ll say it again, they need to do a purge. By that I mean, the Marvel slate no matter if they have announced it or not needs to be studied and second guessed, some of these films and tv shows with provably unpopular characters, I am looking at you Iron Heart with your multiple failed comics runs, should be written off and never released. It does not matter if they are done and ready to go or in production you need to trim back all this fat and get back to the core characters people care about. The Thunderbolts is the antithesis of my point, a group of mostly recent and Disney + era characters that no one cares about. The film will be met with apathy. Furthermore, there needs to be a cleaning house of the higher ups at Marvel that greenlit all these projects, who thought Echo and Agatha needed there own shows, as whoever did should not have a job. I would levy this at Feige himself, if his eye has come off the ball he should be replaced.

Finally, is the idea of escapism. Media should exist to provide audiences with a means of escaping from their lives, yes some cover real world issues, but superhero films should not. Again this is a twofold problem for Marvel, the MCU could use real world politics themes and ideas to influence it’s films, but they don’t have good writers. What I mean by that is that they don’t have writers who can be subtle and who can weave it in in a nuanced way, they have people who need to show scenes of Sam being denied a lone simply because he is black, as the scene tells it, in order to be incredibly heavy handed in its messaging. This is a problem as then audiences feel like they are being preached at and feel like the films are becoming political which is a turn off both for those that don’t agree with the politics but also those who don’t want to engage with politics. Secondly, bringing in heavy handed real world political issues such as presenting, according to reviews, Ross as a stand in for Trump, it stops the world from feeling different and new and instead makes it feel like a reflection of our own which isn’t what people want.

How can this be fixed?

Honestly this is probably the simplest, by hiring better writers, one who can use politics in a subtle way and put themes into films without it being overt and making the film politicised. 

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Cinema Issues: State Of The Box Office Address Start Of 2025

Written by Luke Barnes

In this cinema issues article we are discussing the contraction of the entertainment industry. If one was to cast their gaze upon the 2025 release schedule it would be perfectly acceptable for them to ask what happened to make it to 2025? For those of you that don’t know, with the destruction of COVID and the writer’s strikes, there was a mantra in Hollywood to make it to 2025 as this was seemingly the year when things would get back to the 2019 normal. This was pre the wildfires.

As such this mythical 2025 was going to also see the box office recover to 2019 levels, as it’s been steadily below over these past few years, and in order to do that there was going to be a lot more films releasing each month than in previous years. However, to go back to our opening image there is in fact not a lot of films releasing each week in 2025 so far. Whilst yes there will be some films set to come out in 2025 that have not yet been given formal announcements and release dates, it seems the idea of masses of new releases might be a pipe dream, why is this?

Crucially there are two things Hollywood didn’t account for with the 2025 dream, the first being an obvious and sustained change in audience viewing habits, with more people waiting to watch films at home, being more choosy with the films they watch due to higher ticket costs, and of course the audience’s rejection of slop. The second key fact is the death of the movie star. When discussing the death of the movie star it can’t be stressed enough how important the rise of social media has been, influences and youtubers have given the public new role models seemingly more accessible, more down to earth, and more like them. Audiences have begun craving authenticity, as such the very performative and fake world of Hollywood has lost its allure, the actors who still maintain rabid fanbases do so with a keen use of social media or by giving off the persona of being nice people, whether true or not.

The death of the movie star has left Hollywood unable to move forward, it needs radical change to continue to exist, yet if there’s one thing Hollywood executives are frightened of doing it’s doing anything new. As such I expect 2025’s box office to languish behind 2024 which wasn’t good to begin with, we’re miles off from 2019. I believe looking at the calendar now and of course there can always be new announcements and upsets, but I would say that there is one surefire billion grosser film in the fourth coming Jurassic World, and possibly another in Superman if the stars align. That aside the box office looks quite sick this year, there are not a lot of films and the ones that are don’t seem to have the draw that could make the box office healthy.

The worst thing is in its floundering attempt to combat these problems Hollywood won’t take drastic action, the action of course that’s needed is a slashing of film budgets in half or more, in addition, films need to stop pushing divisive messaging and being targeted towards niche and specific minorities rather than the widest possible audience. Hollywood needs to decentralise, it needs to move outside of the LA ecosystem, films need to be made on a budget of $50 million, a raft of new original films costing that amount or below could allow for greater creativity and potentially some new franchises rather than mining the same wells.

As we head towards the end of this piece you can expect to see Hollywood shrink in the coming year and become more reliant on re-releases.

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Cinema Issues: The Truth About Toxic Fans

Written by Luke Barnes

In this cinema issues article we are discussing the currently pushed idea of the toxic fan and using some critical thinking skills.

So firstly it would be remiss to say that no elements of racism and bigotry exist in fandom or that people getting doxed or sent death threats doesn’t happen as it does, by both sides frequently. There are always bad apples in every bunch, however, things are being twisted.

The first thing to address is the matter of proportion, this is that within a fandom be they left right or whatever there will be bad apples, but they are a small number, to say a whole fandom is anything based on a few people is inherently in bad faith.

Onto the next point, misuse. So people online use terms like racist and bigot like they are going out of fashion and crucially they use them incorrectly. The most common way of this is that they say anyone who says something they don’t like or who criticises something they like is bigoted. This is not only silly and degrading to the terms themselves but also it leads then for the echo chamber to echo that now the fandom are all bigoted when they may not be at all and the original inciting incident was just someone saying they didn’t like the sound design of a film.

A final thing to consider is the idea of tribalism and scapegoats, it is very nice for a studio when a film comes out and does badly to go we didn’t make a bad film the fans are just toxic. Moreover, those who like the film can just rally behind that line and not thinking critically buy into it and go yeah I really liked it so anyone that doesn’t must have another reason for not liking it, enter the they are bigots line.

Overall, whilst there is and always will be an element of toxicity in fandoms, criticising a film, casting choice, plot point or whatever is non toxic, someone disliking a film you like is non toxic, someone saying they didn’t like the costumes in a show is not bigoted or racist and you are devaluing those terms by using them so casually. The war against toxic fans by some online and by studios is not only blown up way out of proportion and enflamed by political tribalism, but also unwinnable and frankly wrongheaded. As often a lot of the people who are calling people toxic are being that themselves by going after people they don’t like online.

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Cinema Issues: The Postmortem Of Doctor Who

Written by Luke Barnes

In this cinema issues article we are dissecting the first season of New, New Who and doing a post mortem to see what went so badly wrong with it.

So lets get something out of the way right quick, the series is in a bad way,  I don’t care if you think it was some of the most stunning and brave Who ever, the ratings are a slow death. The Legend Of Ruby Tuesday and another episode this season both posted record low viewership numbers for the show, some of the lowest in the shows history. Look it up. Things are bad, and there is even talk that the filmed season batch of episodes may not get released as the BBC debates what to do with them, likely they will get released and the show will just be put on ice come this time next year.

Anyway, as the BBC starts to question everything and panic about its in development Who spin-offs, we will look at what went wrong with these episodes.

I think the main issue a lot of people had with these season was that fundamentally it wasn’t Who, never before have I seen the Doctor have so many dance numbers and act more like a local tiktoker trying to make it big than an alien. In addition the fact that the Doctor called everyone ‘babes’ constantly didn’t make it feel like Who it made it feel as though the Doctor had suddenly become another person.

Moreover, the series was heavily political with a number of controversial hot button issues forced in, just for the show to keep a desperate hold of its increasingly radically progressive audience. Some of it didn’t even make sense like when those people who not be saved by the Doctor because he was black and would rather die, what horribly on the nose message was that supposed to be pushing as it felt like a straw man argument. These ideas where repeated over the course of the season, the issue with clearly taking a side politically is that it then alienates your audience and makes you start to loose chunks of people. It is always better to present two sides and let the audience make up their own mind.

Furthermore, who at Disney or the BBC thought it was a good idea to allow cast and creators to attack the fans, whoever it was I would say is the most responsible for the bad feeling and reception to this season. This is mainly due to the fact of actors telling fans to screw off and then being shocked when their show has bad viewership, you do not treat your fans like that you just don’t. Yet these people look down on their fans and think they don’t need them, how wrong they are.

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Cinema Issues: The Acolyte Is Cancelled Looks Like Star Wars Isn’t A YA Female Brand After All

Written by Luke Barnes

Image credit, What’s On Disney Plus

In this cinema issues article we are talking about the much deserved cancellation of the Acolyte.

So lets get a few things out of the way first, Disney is a business they cancel things if they  don’t have good ratings or make them money, the Acolyte did neither. Disney did not give in to the toxic fans, you overly assume the importance Disney places on any of their customers opinions or politics, it is as simple as did it make this number? No, then it is cancelled. Also Disney does not care about how some shows need a few seasons to find an audience, again did it hit the number they wanted? No, then it is cancelled.

Now let’s talk about why it was so poorly viewed.

Rumour has it that Disney is angry with star of the show Amandla Stenberg, saying that her diss track to own the haters, actually hurt the show in the long run as it caused people to turn off. Looks like Disney knows that attacking fans isn’t the way to go about it, I wonder if they will still do it when Skeleton Crew comes out.

It also might be time to call it on the idea of turning Star Wars into a girl-power brand. Audience data collected by the Wrap says that over 70% of Star Wars’ audience is older males, and the figure only seems to be increasing as time goes by, efforts like this to bring in a different sort of fan are not pushing the needle enough to change that and are also alienating that 70% therefore leading the series to not have enough viewers to stay on.

It may be time for Disney and Kathy to except Star Wars for what it is, a nerdy franchise mainly consumed by older guys and one that will become irrelevant in a few decades when these people start to die off. The idea of bringing in new fans by doing new things isn’t working, this show desperately tried to do that and had the worst viewing figures of all Disney + Star Wars so it might be time to accept new fans aren’t coming in big enough numbers to make the change over survivable for the brand.

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Rings Of Power Season 2: Can It Be Saved?

Written by Luke Barnes

In this cinema issues article we are talking about The Rings Of Power and what I believe it needs to do in order to be a better second season and in order to set the series up for long term success.

Now as a Tolkien fan I have a very complicated relationship with this show, there is a part of me that thinks it shouldn’t exist, and when I watched the first few episodes of the first season I was convinced it was little more than current year trash. However, as I advanced beyond that I did think there were some good ideas there, deeply buried but there, and I began to warm to it more by the end of the first season. As such I want to suggest ways that the second season could improve on the first and turn the show around, because lets face it by Amazon’s own admission, in the end, the majority of people didn’t finish the first season.

Before we get into it I want to say this is all just my opinion, nothing to cry about, some of it will be changes they can make this season and some will be possible changes they can make before a maybe possibly season 3. The idea of if this show can even be saved will also be discussed.

I think the fundamental issue with ROP that was there in the first season and will be there in season 2 is the fact that those who make the show do not understand or like the IP. As such they inject other things into in order to try and get more people in whilst driving away people who might actually like the show, take for example the fact in the new season they are teasing a romance between Galadriel, Morfydd Clarke, and Sauron, Charlie Vickers which just shows that the creators do not know these characters. They are doing this in an effort to try and get social media shippers to care, and to appear like it is A YA show, they are doing this when they could just use Celeborn instead. Doing things like the YA shipping makes me think that the show can’t be saved.

Moving on I think the show needs to focus on less characters, the Harfoots need to go away as do the Numenorian’s, I would also cut out the Dwarf’s and just have it be about Sauron trying to corrupt different groups of people with Galadriel and Elron in toe to stop him. All the stuff with the Stranger too I would cut out, we just don’t need it, the show is trying to tell too many stories at once.

I would also hype up events rather than going look guys the first black elf, this is tokenistic and irritating virtue signalling. You should have natural diversity and not make a big deal of it just be like yes this is the world, you don’t need to show them off its weird. Look at how House Of The Dragon does it for example, much better.   

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The Desperate Doctor Doom Debacle

Written by Luke Barnes

In this cinema issues article we are talking about the reveal of Doctor Doom in the MCU and the casting news.

So as we all know Robert Downey Jr. is back in the MCU playing Doctor Doom. This news has divided a lot of people, for me personally I am mixed to trepidatious on it. However, before we go any further I just want to address the milk toast folks that go ‘oh MCU fans are toxic they are judging something before they have even seen it’, as their brains slowly trickle down their backs. The whole point of casting reveals is to generate buzz and attention be that good or bad, the whole point is to get people talking so by going oh you’re toxic for talking about it negatively, even your big daddies over at Disney would tell you to shut up.

That said let’s get into it.

I think the biggest issue with the casting is that it ruins Tony Stark’s sacrifice in Endgame and yes I know it won’t be the actual Tony Stark but rather a variant Doom/Iron Man Hybrid. However, to a lay audience they will just go ‘oh look it is Iron Man’ I thought he was dead, and so it will mean people will be both confused and then asking why is he a villain and killing his friends, to a basic understander of the franchise it could almost ruin the character entirely. Though I imagine Marvel Studios will go to great lengths to show how he is not Tony Stark, we may never even see Downey Jr’s face.

From that you have the fact that this Doom will not be the Victor Von Doom that people want, it is a Tony Stark variant, meaning that the actual peasant to ruler Doom may never appear in the MCU. This then means that a character a lot of people were looking forward to has been abandoned for the cynical ploy of getting Downey Jr back. Also it means that the Fantastic Four will have a different origin story as if this  variant is from their universe it will be that their Tony Stark went bad, rather than Von Doom existing as a contemporary and even friend in the early days to the Baxter clan.

Personally, I think the best thing that could happen would be that the Tony Stark variant either never takes his mask off and is in fact not a variant and it is Downey Jr playing Von Doom, or that the actual real Von Doom usurps power from the Stark variant at the end of Doomsday and then becomes God Emperor Doom going into Secret Wars.

Ultimately, whilst it is nice to have Downey Jr back, the cynical ploy could add to the MCU’s woes in the long term.

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Cinema Issues: The Era Of The Virtue Signalling Celebrity

Written by Luke Barnes

In this cinema issues article we are talking about the era of the virtue signalling celebrity. As many of you may know my position is that celebrities should keep their politics to themselves, no one and I mean no one wants to hear about how a millionaire likely nepo baby thinks the world should be. To make matters worse a lot of the time these people either don’t know what they are talking about or are just reading from pre-prepared statements to try and say the right things to get people to give them praise for being progressive. It is never meant genuinely.

People say oh they are celebrities with a platform they should be championing social ideals and saying this is how society should be, but no, they are not politicians or community leaders they are actors people’s whose job it is to entertain not to moralise or tell you how to live you life.

The issue with things is everyone is afraid of being cancelled, everyone is worried if they don’t say the right thing, take the right position, they might get dropped or lose everything and in that position you don’t have real people anymore you have robots. People who are just going through the motions saying things and doing things simply because they have to.

We should not need to know actors politics, but if we have to their should be an equal balance of left and right wing people in Hollywood. There should never, in Hollywood or anywhere else, be one dominant group that tells the rest how they can think and what is correct thought and what is wrong thought that is inherently dystopian. Yet that is Hollywood, where there is one line to tread, and I think in many ways that is why you are seeing success coming from outside Hollywood and you are seeing people turn away from them, as people hate the Californian bubble.

It’s the fact that not only do these people think they are great and virtuous but it is the distain they have the fans or the watchers that really makes them insufferable as they look down on them and think that they are dirty little people who need to be made to think correctly.

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Star Wars Is A Male Targeted Brand It Is Not Male Dominated

Written by Luke Barnes

In this cinema issues article we are talking about Star Wars, yes again, I know I am sorry. My inspiration to write this article came from quotes from Leslye Headland and Kathleen Kennedy about the Star Wars community and how it is toxic and male dominated.

I saw these comments and honestly I laughed, then I felt a little depressed. I think these comments from Kennedy a woman who arguably never ever got Star Wars and from Headland, a woman who keeps trying to convince you she is a Star Wars fan to appear down with the kids, whilst getting basic lore facts wrong, are infuriating. There is a trend amongst these shows that seem to want to take their properties and force in current era identity politics, I have talked about it with Doctor Who, and that is fan blaming. Basically, they make these shows that the fans don’t want and then rather than take any accountability for it they claim it’s the fans fault for not watching the trash they dole out to them.

One only needs to look at the stats for Star Wars to see it is a male franchise, whilst it is open to women, it is mainly men that watch these films and care about the brand. That is what makes the above comments so stupid and out of touch, not every franchise is equally for everyone, some lean more towards women and some towards men that is basic analytics. Yet, that doesn’t fly with what the creatives want, Kennedy has been trying to say Star Wars is a girl brand for years, Kennedy doesn’t understand her audience, you can see her with her force is female shirt for further reference. She doesn’t understand why the Mandalorian works, but the sequels didn’t.

Kennedy wants to push that this is a girl brand so she has a series like Obi-Wan where he is secondary in his own show to a new insert Inquisitor that no one cared about, it is obvious why this happened. The Acolyte with its heavy female cast is clearly trying to take aim at a female audience, and in doing that you have these attacking comments towards guys saying oh how bad the fandom is and how it is male dominated. This they are doing to pre-empt the backlash to the show, because they know it is bad, and they know fans won’t like it, so then the narrative becomes they are toxic. This show will not do well  because unlike something like The Mandalorian that was for everyone,here you have a narrative that no this show is only for one type of fan and if you aren’t it don’t watch it.

It is shows like this which highlight why the Star Wars IP is in trouble

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How Disney Is Quickly Becoming The Most Hated Studio In Hollywood

Written by Luke Barnes

In this cinema issues article we are talking about the dire state of Disney and how they are facing down a pretty dismal future and why that is.

On paper Disney should be doing well, they have some many classic film franchises, and are well known and in some quarters beloved across the world, and yet at the 2023 box office they had more bombs than any other studio. Moreover, their reputation is so low at the moment that they are having to turn off the comments on their trailers as people are tearing into them and down voting them into oblivion.

So the question is why? Honestly, there isn’t much of any one answer to that there are quite a few and I’ll try to get to what I view as the main few in this piece.

I think the main reason people have turned on Disney is because they represent quantity over quality, they are churning out sequels, prequels and remakes no one wants. They are either using the wrong algorithm or betting hard on nostalgia that doesn’t seem to be coming together in this regard. Look at their upcoming Lion King live action sequel, it has already been down voted to hell and why? Not because it is offensive or even super bad but because it looks soulless and no one wants it, in many respects this comes off as them being entirely out of touch which you could argue almost all of Hollywood is right now. Moreover, in the investors call Bob Iger said that they are content mining, which really reflects how Disney view these properties not as something to be stewarded and looked after but rather something they can make a quick buck out of, and obviously it’s the movie business so you expect things like this, but you don’t expect them to say it.

Another reason why people are turning on Disney and this crosses over with the idea they are out of touch is that they push political messages constantly and towards kids. Film and TV can and often does have political messages and that’s fine but you have to also expect the blowback and the drop off, the idea is that you care so much about the thing you are out there preaching that you don’t care people are leaving. Many people are angry for what they see as Disney pushing out incredibly progressive messaging in their content, which doesn’t line up with a lot of its audience believe, this is the issue with commenting on hot button issues in your content, you create a divide. Moreover, to then go out of your way to call your fans names and try and shame them for not having the same politics as you is another good way to lose business. It seems though not in the immediate term that Disney have learnt this lesson and are trying to get out of the culture war, as they have issued a number of statements saying how they are walking away from the message, but we will have to wait and see.

Finally the third reason I think Disney is loathed at the moment is the idea of audience homogenisation. It is well known that Disney have taken things like Marvel or Star Wars things that have always been traditionally male brands and have tried to make them appeal more to women in the idea of having a wider audience share and making more money. They have done other things with other franchises again in order to try and grow the audience as well, but as it has started to come out with things like Madame Web these tactics don’t work, rather than get a new audience in whilst also retaining your old audience, your old audience ends up feeling alienated and leaves and you don’t get in enough new people to replace them.

If I were Disney I would clean house, they need to get rid of a lot of people that are pushing these sort of ideas, I would go back to making films and tv shows people want, I would listen to fans of their franchises in a meaningful way, I would keep politics out of it or get writers who can handle it in a way that doesn’t feel so heavy handed and I would keep my franchises aimed at the demographics that had made them popular and not try and bring in anyone else as I would know it would alienate the original fans.

If you enjoyed this piece, then please head over to my Patreon to support me, I offer personalized shoutouts, customised film recommendations to suit your personality and tastes, the ability for you to pick what I review next and full access to my Patreon exclusive game reviews. Check it out!

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