Futurama Season Twelve Overview: Pulling A Lazarus

Summary

Futurama does something I never thought possible, it turns things around massively in the space of just one season.

I will be referring to the season by both its production and broadcast season numbers in this piece so if you are confused why I call it by two separate names that is why, I will try to keep it to a minimum.

As some of you may know I was sorely unimpressed with season 8/11 whereas this new season 9/12 is a massive improvement. This latest season has a lot of what you would call classic Futurama charm, and ditches a lot of last seasons need to be topical and mention everything from cancel culture to bitcoin.

In my mind there are only two bad episodes this season out of a run of ten. These for me were The One Amigo which felt like a poor Bender, voiced by John DiMaggio, introspection episode. As well as Attack of the Clothes for how much it pushes Cara Delevingne in a way that would make The Simpsons blush.

The rest of the run was either watchable or good, Quids Game which you might imagine I’d have an issue with as again it is trying to mimic something new and popular rather than tell a new story is one of my favourite of the season. The reason for that is that though it’s premise is based on parody there is a strong emotional core there that taps into Fry’s, voiced by Billy West, time in the eighties/nineties.

I am still not thrilled with how the season deals with Leela, voiced by Katey Sagal, and Fry as a couple, they aren’t even shown living together as they were last season, but I did like that the end of the season does push their relationship forward somewhat, even if it does later kill them.

Overall, I would say of this season that it feels at times as though it is almost back to form, it is a million miles away from the husk that was the previous season and shows that the series still has good bones underneath a desire to be topical. Hopefully next year’s batch of episodes continues to refine the formula.

4/5

Pros.

Almost back to classic level

Some good new episodes that add to the wider cannon

A character focus and emotional core

It meaningly moves Fry and Leela as a couple forward

Cons.

It pushes Cara too much

It has two naff episodes

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Never Let Go: Halle Berry Isn’t A List Anymore

Written by Luke Barnes

Summary

Halle Berry and some kids live in the woods.

The twist that civilisation wasn’t really destroyed was obvious. The fact the film tries to have its cake and eat it too, being like see Berry’s character was lying all along, but then not really as the creature was real feels like a cop out and ruins any good will this film had going for it.

Moreover, this film just feels like yet another in the growing and increasingly plagiarised apocalypse horror sub-genre. Think about Bird Box and The Quiet Place and now think about this, think about The Village and now think about this, can you see the, shall we be charitable, borrowing. This film is more than a little derivative.

In addition, no one has given Halle Berry the memo that she is not lead actor material. She tries to seem genuine as the kids mother and also at times scary or manic but she just comes across as someone trying to act crazy, at no point is she believable.

The film tries to build towards a crazy third act but you have seen it all before and nothing shocks you about it.

Overall, a waste of time

1.5/5

Pros.

It is short

It is watchable

Cons.

It has been done better before

Berry

It has pacing issues

The ending

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Beezle: The Witch In The Walls

Written by Luke Barnes

Summary

A house infested with a witch goes through generations of trauma.

There was a kernel of a good idea here, we don’t get many witch films and less so that try and unorthodox narrative approach, it plays more like an anthology than a linear narrative.

However, in execution we come undone.

I can some up the issues with this film into four key areas, the characterisation, the witch, the scares and the ending. There is a throughline of mediocrity throughout all of these things and that was a disappointment.

So first things first, the initial two segments are fine nothing special but it is clearly the third where things start to get weird. Enter Nova, Victoria Fradkin, a character who’s whole dimension is just that she’s horny and wants a kid. You could argue had this been written by just a man that it was incredibly sexist and reductive but she helped write her own material so she was okay with it. Nova, wants to have sex wearing her partner’s dead mother’s lingerie and is constantly pressuring him for sex to a point where it becomes uncomfortable. Moreover, there are a number of nude or near nude scenes that just feel almost as though Fradkin is showing off for an ego trip, and when you realise her close relationship with the director it all starts to make more sense.

The witch could have been special and unique but instead it is just another demon like figure that behaves in the same way and never really does much of anything. To role scares into this one the film relies heavily on jump scares, did you just see that face? That kind of thing, to which I thought gave it a tacky feeling.

Finally the ending is the ending of so many found footage films after becoming possessed Nova kills her husband and then I guess sits in the snow, or does some random off screen action for it all to continue with a new family. Paranormal Activity did all this decades ago.

Overall, amateurish at best.

1/5

Pros.

It has a good premise

Cons.

It is not scary

It has pacing issues

It is creepy at times

It wastes its villain

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My Old Ass: A Narcissistic Fantasy

Written by Luke Barnes

Summary

A young woman, Meghan Park, comes off age whilst getting phone calls from her older self, Aubery Plaza.

This film was made for a specific type of person, who that is I don’t know. It is not funny and has a really depressing ending, if that sounds like your idea of a good time head on down.

It feels like it is trying to go for the Safety Not Guaranteed sort of feel the oddball comedy vibe, it has a quirky family it has some out their elements to try and drive things along, yet it never actually hits it in a satisfying way.

There is also rather a lot of quite graphic lesbian scenes, which get to a point wherein you question how needed they were for the plot. They could have lent in for a kiss and then moved on, it does feel a little over the top. One cannot hope but feel like if this was done by a male director the film would have got far more criticism for it.

Plaza is as good as ever, the younger cast mostly are irritating as they say meaningless gen z buzz words like ‘omg the world is literally on fire right now’ and oh such garbage, also what is there solution to the world being in such a bad spot is it to help someone or volunteer for a charity nope its to get high and go on their phones. Also the focus placed on the main characters sexuality also felt incredibly modern day, so she’s bi big whoop, we really don’t need the whole big subplot of oh but she’s never liked boys before, when she no doubt had crushes before as they say later in the film she was into Biber.

Overall, maybe one to give a miss

2/5

Pros.

Plaza

A few good laughs

Cons.

It is tonally all over the place

The younger characters are annoying

It is depressing

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The Rings Of Power Season Two Overview: Why Did It Have To Be Gandalf?

Written by Luke Barnes

Summary

The Rings are back and now everyone is getting in on the action.

So as many of you know I have an up and down relationship with this show, I hated it to begin with then softened and now am growing to dislike it again. By no means, however, do I think this is a terrible show there are some moments of greatness scattered here and there about the place. I just think that this season ran with a lot of the worse aspects of the first season leading it to a doomed fate.

So firstly the shipping, the series does not want to be a serious representation of Tolkien’s work, it appears to want to try and bring in teen girls with a thirst trap as Amazon never learnt the age old lesson that is teen girls don’t watch The Lord Of The Rings related material for the most part. The shipping is annoying and it was one of the things I called out and worried about in my predictions post a few months back. Not only is Sauron, Charlie Vickers, and Galadriel, Morfydd Clarke, but also seemingly Sauron and Celebrimbor, Charles Edwards, just out of nowhere. It kills time and it drags on.

Couple that with the over stuffed cast and you have a real problem. I admire the show for trying to do a lot to flesh out its world but often times this results in things being skipped over, happening off screen, or not being given the proper time to develop. Nowhere is this felt more so then in the sub plot with the Harfoots. Things just seem to occur in a disjointed and odd way and we don’t spend enough time with the characters to actually get to know them let alone like them. Moreover, the Gandalf reveal at the end made me groan, it was so incredibly needless.

Finally we have to talk about the costumes and just how cheap everything looks. Take for example the rings themselves, they look like costume jewellery in the worst way and stick out for just how bad they are, it makes no sense with how much money Amazon sunk into this show

Pros.

It has a good start

It has some strong moments

It is better than the first season

Cons.

The shipping

It has too many characters

The cheapness

2.5/5

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Joker Two: The Worst Comic Book Movie Ever Made?

Written by Luke Barnes

Summary

Todd Phillips performs career seppuku and inflicts major damage on the character of the Joker possibly forever.

I will open with a question and it might be slightly rhetorical but I want you to think about it, who goes into a superhero/supervillain film wanting to see the character degraded to such a point that the film decides it in good taste for them to have a long drawn out rape scene wherein the character is assaulted repeatedly?

This film hates the Joker and it hates you. I am all for the Reeves’ side project being gritty and dark but this just feels horrible. I understand that this is not in the Reeves’ universe but my point is more so about grit in superhero/villain films, there comes a point where you have to ask is this necessary. I think you’ll find the answer if you look hard enough, its no just in case you didn’t get it.

It reads very much as someone who clearly didn’t want to make a sequel being forced into it, as he goes out of his way to make the film terrible and even offensive to fans and people who care about the character. It was like what people said about the director’s approach to the fourth Matrix film but even worse.

The musical aspects feel unnecessary and a normally good Lady Gaga here just feels out of place. They happen as somewhat of a pallet cleanse from all the rest of the horribleness but it makes you wistful, you wish the whole film could be like that so you didn’t have to go back to it.

The courtroom drama aspects feel like an embodiment of the social media discourse around the first films release in a way, and that makes the film feel even more born out of an online discussion rather than from a place of love or even interest in this character.

Basically due to how Phillips has handled this what could have been a profitable little Elseworld’s franchise for DC is dead. These characters are dead. I would if I was Gunn and co not even use the Joker for a while after, allowing the bad memory this allow the bad to fade away in time.

Overall, Phillips should never work again.

0/5

Pros.

None

Cons.

It hates you

It hates the characters

It has the first film

It hates comic book fun

It hates itself

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The Founder: The Father Of Ronald McDonald

Written by Luke Barnes

Summary

McDonalds is evil.

So finding out about how McDonalds came to be what it is today could be a very rah rah sort of affair, very pro Ronald, however I have to say I liked that this film showed McDonalds for being the twisted company it is. It didn’t pull its punches, you see the lives ruined the dreams smashed and the horror that happened along the way.

I thought that Micheal Keaton was electric as Roy Kroc, the milkshake salesman turned CEO of McDonalds, he chewed up the scene as a pro business take no prisoners capitalist. He both had that Tony Stark level of confidence where you can’t help but like him whilst also hating him for all the terrible things he’s doing at the same time.

I like that it tried to convey a smaller time period in the company and man’s life rather than trying to cover his whole life, it felt like more of a time capsule and more well done as a result.

Overall, a pretty good biopic about a titan of the fast food industry.

3/5

Pros.

Keaton

The pace

It isn’t bias

Cons.

It is a bit slow at times

It focuses a bit too much on Roy’s love life

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Stop Motion: The Darkside Of Wallace And Gromit

Written by Luke Barnes

Summary

A young stop motion animator, Aisling Franciosi, tries to get out from under the shadow of her own mother and create her own stop motion project.

I admired the originality of this film, it tried hard to do something new within the horror landscape and within a genre that likes to repeat patterns and tropes that is to be applauded. I also thought the idea of the stop motion project coming to life was interesting and led to some really good scares.

Likewise the interspersing of stop motion shots within the rest of the normal film really helped to push the uniqueness as well as to give us some disturbing and unique visuals. I appreciated what this film tried to do even when it didn’t fully land.

My main complaint with the film would be that it followed the very overdone breakdown storyline as the lead becomes more and more insane to a point where she becomes in a sense possessed attacking those around her. We have seen this done many many times in horror and it feels stale.

Overall, a unique film with some good scares held back by a familiar character arc.

3.5/5

Pros.

The stop motion scenes

It is unique

It is well paced

Some good scares

Cons.

A familiar character arc

A wasted supporting cast

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Reawakening: Life Changing Conversations Whilst Playing With Model Trains

Written by Luke Barnes

Summary

After ten years missing a young woman shows up on her parent’s door step, but is it really her?

This film is well done and well-acted but not one that you would want to watch more than once. It is in that same category with films like Locke brilliantly done but depressing as hell and with no rewatch value at all. Once the mystery is revealed, the final nail is placed in the coffin of rewatching this film, and in a sense that is fine you don’t need to watch everything 100 times for it to be good.

Jared Harris and Juliet Stevenson are both fantastic as grieving parents who desperately want to see their daughter again, and both display such a terrific range, going from stunned silences into fits of rage and heartbreak within a matter of moments, it truly is a masterclass in terms of performance.

Overall, it is a good film but not likely one anyone will want to watch more than once.

3/5

Pros.

The performances

Its engaging

The pay off

Cons.

It is depressing

It has some pacing issues

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Time Bandits Season One Overview: Scraping The Bottom Of The Nostalgia Well

Written by Luke Barnes

Summary

Another classic of yesteryear is vandalised.

I am a big fan of Taika Waititi and Jermaine Clement however, this was unnecessary and doomed from the start. I am going to say something revolutionary right now so hold onto your hats, not everything needs to be remade and brought back for audiences of today to watch you can just watch older media.

I think part of the doom of this show was that it was not a well-known IP outside of some diehards, and the good will around Waititi after his breakthrough into Hollywood has fully waned. It also is coming out in a time where people need things to hit immediately and can’t give a show a two season run to see if it can find an audience, it either performs well immediately or it dies, that is the way of things now.

Moreover, the addition of modern day elements, race and gender flipping characters, is going to create enemies from the off and again is needless. Why not create new characters within the Time Bandits story and make those roles diverse why does it need to be handled like this?

Finally, and I get no joy from saying this what were they thinking casting Lisa Kudrow? She has not been relevant in about ten years and hasn’t been popular in a mainstream sense in over twenty. I like The Comeback but even I have to say that she was the wrong person for this role.

Overall, a needless remake of a beloved classic. Stop it.

1/5

Pros.

There are a couple (and I mean 1 or 2) good moments

Cons.

It wastes the cast

Kudrow is miscast

It doesn’t have the spirit of the original

It feels soulless

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